It was developed by Rockstar London for Microsoft Windows and PlayStation 2, Rockstar Leeds for the PlayStation Portable, and Rockstar Toronto for the Wii. But since Manhunt eschews the traditional gory details of not only a homicide story but an actual full-blown serial-killer case, then astutely focusing on video surveillance, looking for various styles of cars registered in large swaths of the country and coordinating evidence with other departments is probably best left to three rather than eight hours.Manhunt 2 is a 2007 stealth game by Rockstar Games. And in the end, it would have been nice to see more of the toll this case took on their marriage, or why Colin wasn’t more open to her input and ideas. It doesn’t allow enough time to get other characters more than peripherally involved, with Louise the only exception. Three hours is both a plus and a minus for Manhunt. These moments at home showcase Blakley, who does strong work as Louise, an endearing spouse and ear to Clunes’ character, though he’s mostly unreceptive to her ideas (which, based on data analysis, are too modern, apparently, for his shoe-leather approach) he also doesn’t feel her concerns at home, the case making him more distant and distracted. Here, Clunes, as Sutton, confesses a few doubts to a trusted cohort (Katie Lyons) but mostly saves the worry for the table talk he shares with second wife, Louise (Claudie Blakley), who’s a police analyst at a more suburban, lower-level department (whereas Sutton works for the bigger London Metropolitan police, or “the Met,” furthering the pet Brit sensitivity to class structure seen through various lenses). If this was an American series, of course, that defiant attitude would be verbose, angry and profanity-filled as some tough New York detective would be protecting his turf. Which means he’s gone along and done the best he can with his career until this point, but is also up for the task and he’ll be damned if the higher-ups - some are worried he’s going to blow a case that moves quickly from single murder to serial-killer territory - take it away from him. Though Clunes is better-known for his comedy and for lighter roles where he’s, well, affable, he does a wonderful job here - beyond being very British about it - depicting a career detective of high rank but no “career-defining” cases. The one fully drawn person here is, not surprisingly, Sutton (played by Martin Clunes of Doc Martin, Vanity Fair, etc.). Manhunt bleaches out the titillation and zeroes in on the detective work, which is an honorable diversion from the norm, even if there are some dramatic trade-offs along the way and some shortcomings on the character-development side. If that sounds like it drains a good deal of the action out of it, not necessarily. The treatment it needed was decidedly more granular and low-key, and Manhunt pulls that off admirably.īased on the memoir of Detective Chief Inspector Colin Sutton, who was in charge of the investigation that took place between 20, and created for television by writer Ed Whitmore and Sutton, Manhunt presents a murder that could be connected to at least one other (and, by good police work, eventually even more) and all along the way focuses as much on that grunt work as possible, avoiding bloody flashbacks, brutal depictions of any kind or lurid corpse photos, etc. Part of that might have something (maybe a lot) to do with the fact that Manhunt is based on a real serial-killer case that riveted the country and garnered countless tabloid-style headlines. Manhunt does seems keenly British in the sense that it tries intentionally hard to focus on the less glamorous and more boring and harder realities of actual detective and police work than is often depicted on television.
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